1869. germany. caspar moos. there is nothing modern about this letterhead, however the typography speaks to me. the many covers that i have written about are usually bought for the letterhead contained inside. here is just one of the hundreds that i must own, though i have never counted. i think it’s like counting your chips at the poker table. the realization of what you have changes the game. these letterheads serve as so much inspiration. the aspect of the paper, typography, handwriting and the engraved letterhead all add to its richness. the paper is lightweight, maybe 8lb. i think i bought this for one reason: the nine. the eighteen is preprinted and the last two digits are handwritten with a lovely flair. how does your handwriting look? i bet not many of us write that well. why is that? do they teach penmanship in school anymore? i know i was graded on ‘writing’ in elementary school. i remember my report card—all c’s. this letterhead is in german and i tried to make out the handwriting to translate it for you but i gave up. sorry. other more pressing things to do. whenever i think about handwriting i make a mental note; actually, michael sull comes to mind. I’d like to take one of his classes or workshops one day. i already have the tools. i’ve told my daughter we should do this together. of course i get the roll of the eyes and the ‘what planet are you on?’ look. i am interested in acquiring this skill. some day. just another thing for retirement.